Apr 30th, 2010
“Democratic Camera, Photographs and Video, 1961-2008″ til May 23
William Eggleston is widely credited with bringing colour photography into the realm of fine art. It’s almost ironic that his reason for using colour was not exactly worthy of fine art high thinking.
Jan 30th, 2010
til Apr. 4
Of the new work by Harbourfront Centre’s current artists-in-residence, two artists’ work best answer the question: Is it big enough?
Jan 29th, 2010
“Recent Sculpture from Canada” til Mar. 7
Despite my familiarity with many of the artists work on display, I was a bit flummoxed by curator Helena Reckitt’s gathering of what proclaims to be “the new Canadian sculpture”.
Jan 28th, 2010
“Still Life” til Apr. 4
“I resemble that moment,”
Jan 10th, 2010
“Directions” til March 28
No weapons or bad guys are present in these works, but the anticipation of such threats lurks in the periphery.
Jan 9th, 2010
“Icarus” ’til Jan 31
If I were the poet that I once aspired to be, I would write an ode about Barbara Liotta’s Icarus that just might do it justice. But since I’m clearly not, I’ll just tell you about what happened between us instead.
Jan 8th, 2010
“Portraits” til Jan 10
Robert Bergman takes something that we would rather not look at, the forgotten people of our society, and makes it strangely beautiful.
Jan 6th, 2010
“Perception and Reflection” ended Jan 3
I’m irked and not all that surprised that I was not familiar with the work of Anne Truitt, an artist who created minimalist, colour field paintings in three-dimensional form at the same time as her more famous peers Kenneth Noland and Barnett Newman. Such is the way of art history.
Jan 5th, 2010
“Next Floor” til April 4
Phoebe Greenberg and/or the hirshhorn, got my junk up in a knot in a couple of different ways with this “exhibit”.
I’m not disgruntled because Next Floor won best Short Film at Cannes in 2008 (amoung numerous other awards). It is a well done, profound and compelling short film. But my first beef is that it is a film and film has its own numerous venues for display.
And it’s not the film’s content either. Portraying a bunch of privileged people gorging on all imaginable animals while the floor continuously falls out beneath them is an apt critique of our western ways, if not a very obvious one.
Jan 4th, 2010
“Outwin Boochever Portrait Competition” til Aug 22nd
It’s fascinating to see such a diverse approach to portraiture of unknowns displayed in a gallery dedicated to historical portraiture of the famous and a relief that everyday people can be made to seem worthy in a culture obsessed with celebrity.
But the subject of this entry has to be my disappointment with the jury’s overall selections.
Nov 1st, 2009
til Jan. 3
Francine Savard’s mid-career retrospective at the Musee d’art contemporain de Montreal can be challenging for the viewer, but ultimately it is very rewarding work. Taking some good time to view Savard’s oeuvre felt like a refreshing intellectual swim, both pleasant and stimulating.